Paper detail

On resolving the Savage-Dickey paradox

The Savage-Dickey ratio is known as a specialised representation of the Bayes factor (O'Hagan and Forster, 2004) that allows for a functional plugging approximation of this quantity. We demonstrate here that the Savage-Dickey representation is in fact a generic representation of the Bayes factor that relies on specific measure-theoretic versions of the densities involved in the ratio, instead of a special identity imposing the above constraints on the prior distributions. We completely clarify the measure-theoretic foundations of the representation as well as the generalisation of Verdinelli and Wasserman (1995) and propose a comparison of this new approximation with their version, as well as with bridge sampling and Chib's approaches.

preprint2010arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.