Paper detail

NLO QCD corrections to W+W- gamma and Z Z gamma production with leptonic decays

The computation of the NLO QCD corrections to the cross sections for W+W- gamma and ZZgamma production in hadronic collisions is presented. We consider the case of a real photon in the final state, but include full leptonic decays of the W and Z bosons. Numerical results for the LHC and the Tevatron are obtained through a fully flexible parton level Monte Carlo based on the structure of the VBFNLO program, allowing an easy implementation of arbitrary cuts and distributions. We show the dependence on scale variations of the integrated cross sections and provide evidence that NLO QCD corrections strongly modify the LO predictions for observables at the LHC both in magnitude and in shape.

preprint2009arXivOpen access

Signal facts

What is known right now

Open access4 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.