Paper detail

Intersection theory and the Horn inequalities for invariant subspaces

We provide a direct, intersection theoretic, argument that the Jordan models of an operator of class C_{0}, of its restriction to an invariant subspace, and of its compression to the orthogonal complement, satisfy a multiplicative form of the Horn inequalities, where `inequality' is replaced by `divisibility'. When one of these inequalities is saturated, we show that there exists a splitting of the operator into quasidirect summands which induces similar splittings for the restriction of the operator to the given invariant subspace and its compression to the orthogonal complement. The result is true even for operators acting on nonseparable Hilbert spaces. For such operators the usual Horn inequalities are supplemented so as to apply to all the Jordan blocks in the model.

preprint2015arXivOpen access

Signal facts

What is known right now

Open access2 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.