Paper detail

Improved singing voice separation with chromagram-based pitch-aware remixing

Singing voice separation aims to separate music into vocals and accompaniment components. One of the major constraints for the task is the limited amount of training data with separated vocals. Data augmentation techniques such as random source mixing have been shown to make better use of existing data and mildly improve model performance. We propose a novel data augmentation technique, chromagram-based pitch-aware remixing, where music segments with high pitch alignment are mixed. By performing controlled experiments in both supervised and semi-supervised settings, we demonstrate that training models with pitch-aware remixing significantly improves the test signal-to-distortion ratio (SDR)

preprint2022arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.