Paper detail

Counting Nodal Lines Which Touch the Boundary of an Analytic Domain

We consider the zeros on the boundary $\partial Ω$ of a Neumann eigenfunction $ϕ_λ$ of a real analytic plane domain $Ω$. We prove that the number of its boundary zeros is $O (λ)$ where $-Δϕ_λ = λ^2 ϕ_λ$. We also prove that the number of boundary critical points of either a Neumann or Dirichlet eigenfunction is $O(λ)$. It follows that the number of nodal lines of $ϕ_λ$ (components of the nodal set) which touch the boundary is of order $λ$. This upper bound is of the same order of magnitude as the length of the total nodal line, but is the square root of the Courant bound on the number of nodal components in the interior. More generally, the results are proved for piecewise analytic domains.

preprint2007arXivOpen access

Signal facts

What is known right now

Open access2 authors2 topics

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.