Paper detail

Broken SU(3) Symmetry in Two-Body B Decays

The decays of $B$ mesons to two-body hadronic final states are analyzed within the context of broken flavor SU(3) symmetry, extending a previous analysis involving pairs of light pseudoscalars to decays involving one or two charmed quarks in the final state. A systematic program is described for learning information {}from decay rates regarding (i) SU(3)-violating contributions, (ii) the magnitude of exchange and annihilation diagrams (effects involving the spectator quark), and (iii) strong final-state interactions. The implication of SU(3)-breaking effects for the extraction of weak phases is also examined. The present status of data on these questions is reviewed and suggestions for further experimental study are made.

preprint1995arXivOpen access

Signal facts

What is known right now

Open access4 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.