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Geraint A. Wiggins

Geraint A. Wiggins appears in the imported research catalog. Authorship, coauthor and topic links are available while profile ownership is still unclaimed.

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2 published item(s)

preprint2026arXiv

From Mechanistic to Compositional Interpretability

Mechanistic interpretability aims to explain neural model behaviour by reverse-engineering learned computational structure into human-understandable components. Without a formal framework, however, mechanistic explanations cannot be objectively verified, compared, or composed. We introduce compositional interpretability, a category-theoretic framework grounded in the principles of compositionality and minimum description length. Compositional interpretations are pairs of syntactic and semantic mappings that must commute to enforce consistency between a model's decomposition and its observed behaviour. We deconstruct explanation quality into measures of faithfulness and complexity to cast interpretability as a constrained optimisation problem, and introduce compressive refinement to systematically restructure models into simpler parts without altering their function. Finally, we prove a parsimony criterion under which syntactic compression theoretically guarantees more concise, human-aligned explanations. Our framework situates prominent mechanistic methods as subclasses of refinement, and clarifies why their compressibility heuristics tend to align with human interpretability. Our work provides a measurable, optimisable foundation for automating the discovery and evaluation of mechanistic explanations.

preprint2022arXiv

A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis

Computational models of music, while providing good descriptions of melodic development, still cannot fully grasp the general structure comprised of repetitions, transpositions, and reuse of melodic material. We present a corpus of strongly structured baroque allemandes, and describe a top-down approach to abstract the shared structure of their musical content using tree representations produced from pairwise differences between the Schenkerian-inspired analyses of each piece, thereby providing a rich hierarchical description of the corpus.