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Foteini Simistira Liwicki

Foteini Simistira Liwicki contributes to research discovery and scholarly infrastructure.

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Published work

2 published item(s)

preprint2026arXiv

Counterargument for Critical Thinking as Judged by AI and Humans

This intervention study investigates the use of counterarguments in writing for critical thinking by students in the context of Generative AI (GenAI). This is especially as risks of cheating and cognitive offloading exist with the use of GenAI. We presented 36 students in a particular university course with 4 carefully selected thesis statements (from a set of popular debates) to write about anyone of them. We used six established rubrics (focus, logic, content, style, correctness and reference) to conduct three human assessments (two student peer-reviews and one experienced teacher) per writeup on a 5-point Likert scale for all the qualified samples (n) of 35 submissions (after disqualifying one for irregularity). Using the same rubrics and guidelines, we also assessed the submissions using six frontier LLMs as judges. Our mixed-method design included qualitative open-ended feedback per assessment and quantitative methods. The results reveal that (1) the students' self-written counterarguments to AI-generated content contains logic, among other things, which is a key component of critical thinking, and (2) GenAI can be successfully used at scale to assess students' written work, based on clear rubrics, and these assessments generally align with human assessments as shown with Gwets AC2 inter-rater reliability values of 0.33 for all the models except one.

preprint2022arXiv

Deep Neural Network approaches for Analysing Videos of Music Performances

This paper presents a framework to automate the labelling process for gestures in musical performance videos with a 3D Convolutional Neural Network (CNN). While this idea was proposed in a previous study, this paper introduces several novelties: (i) Presents a novel method to overcome the class imbalance challenge and make learning possible for co-existent gestures by batch balancing approach and spatial-temporal representations of gestures. (ii) Performs a detailed study on 7 and 18 categories of gestures generated during the performance (guitar play) of musical pieces that have been video-recorded. (iii) Investigates the possibility to use audio features. (iv) Extends the analysis to multiple videos. The novel methods significantly improve the performance of gesture identification by 12 %, when compared to the previous work (51 % in this study over 39 % in previous work). We successfully validate the proposed methods on 7 super classes (72 %), an ensemble of the 18 gestures/classes, and additional videos (75 %).