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Alisa Liu

Alisa Liu contributes to research discovery and scholarly infrastructure.

ResearcherAffiliation not importedOpen to collaborate
eess.ASMachine LearningSoundComputation and Language

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Published work

4 published item(s)

preprint2026arXiv

Compute Optimal Tokenization

Scaling laws enable the optimal selection of data amount and language model size, yet the impact of the data unit, the token, on this relationship remains underexplored. In this work, we systematically investigate how the information granularity of tokens, controlled by the compression rate (i.e., average bytes of text per token), affects scaling trends. We train 988 latent tokenized models (BLT) ranging from 50M to 7B parameters that enable setting the desired compression rate. This flexibility allows us to study the role of compression rate well beyond 4.57 bytes per token obtained with a popular BPE tokenizer. Our experiments reveal that in compute-optimal configurations, model parameter counts scale proportionally to data size measured in bytes, not in tokens as commonly perceived (Kaplan et al., 2020; Hoffmann et al., 2022). Furthermore, we discover that the optimal compression rate differs from the one obtained with BPE and decreases with compute. These findings generalize to both latent and subword tokenization, as well as to languages other than English, guiding language model developers on tokenization scheme selection for maximal compute efficiency.

0 citations0 reviewsNo code linkedOpen access
preprint2020arXiv

Bach or Mock? A Grading Function for Chorales in the Style of J.S. Bach

Deep generative systems that learn probabilistic models from a corpus of existing music do not explicitly encode knowledge of a musical style, compared to traditional rule-based systems. Thus, it can be difficult to determine whether deep models generate stylistically correct output without expert evaluation, but this is expensive and time-consuming. Therefore, there is a need for automatic, interpretable, and musically-motivated evaluation measures of generated music. In this paper, we introduce a grading function that evaluates four-part chorales in the style of J.S. Bach along important musical features. We use the grading function to evaluate the output of a Transformer model, and show that the function is both interpretable and outperforms human experts at discriminating Bach chorales from model-generated ones.

0 citations0 reviewsNo code linkedOpen access
preprint2020arXiv

Incorporating Music Knowledge in Continual Dataset Augmentation for Music Generation

Deep learning has rapidly become the state-of-the-art approach for music generation. However, training a deep model typically requires a large training set, which is often not available for specific musical styles. In this paper, we present augmentative generation (Aug-Gen), a method of dataset augmentation for any music generation system trained on a resource-constrained domain. The key intuition of this method is that the training data for a generative system can be augmented by examples the system produces during the course of training, provided these examples are of sufficiently high quality and variety. We apply Aug-Gen to Transformer-based chorale generation in the style of J.S. Bach, and show that this allows for longer training and results in better generative output.

0 citations0 reviewsNo code linkedOpen access
preprint2020arXiv

Model selection for deep audio source separation via clustering analysis

Audio source separation is the process of separating a mixture (e.g. a pop band recording) into isolated sounds from individual sources (e.g. just the lead vocals). Deep learning models are the state-of-the-art in source separation, given that the mixture to be separated is similar to the mixtures the deep model was trained on. This requires the end user to know enough about each model's training to select the correct model for a given audio mixture. In this work, we automate selection of the appropriate model for an audio mixture. We present a confidence measure that does not require ground truth to estimate separation quality, given a deep model and audio mixture. We use this confidence measure to automatically select the model output with the best predicted separation quality. We compare our confidence-based ensemble approach to using individual models with no selection, to an oracle that always selects the best model and to a random model selector. Results show our confidence-based ensemble significantly outperforms the random ensemble over general mixtures and approaches oracle performance for music mixtures.

0 citations0 reviewsNo code linkedOpen access