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Alexandre Défossez

Alexandre Défossez contributes to research discovery and scholarly infrastructure.

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Published work

4 published item(s)

preprint2026arXiv

Continuous Audio Language Models

Audio Language Models (ALM) have emerged as the dominant paradigm for speech and music generation by representing audio as sequences of discrete tokens. Yet, unlike text tokens, which are invertible, audio tokens are extracted from lossy codecs with a limited bitrate. As a consequence, increasing audio quality requires generating more tokens, which imposes a trade-off between fidelity and computational cost. We address this issue by studying Continuous Audio Language Models (CALM). These models instantiate a large Transformer backbone that produces a contextual embedding at every timestep. This sequential information then conditions an MLP that generates the next continuous frame of an audio VAE through consistency modeling. By avoiding lossy compression, CALM achieves higher quality at lower computational cost than their discrete counterpart. Experiments on speech and music demonstrate improved efficiency and fidelity over state-of-the-art discrete audio language models, facilitating lightweight, high-quality audio generation. Samples are available at hf.co/spaces/kyutai/calm-samples. Finally, we release Pocket TTS, an open-source 100M-parameter text-to-speech model that can run faster than real time on a laptop CPU: github.com/kyutai-labs/pocket-tts.

preprint2026arXiv

NeuralSet: A High-Performing Python Package for Neuro-AI

Artificial intelligence (AI) is increasingly central to understanding how the brain processes information. However, the integration of neuroscience and modern AI is bottlenecked by a fragmented software ecosystem. Current tools are siloed by recording modality and optimized for small-scale, in-memory workflows, limiting the use of massive, naturalistic datasets. Here, we introduce NeuralSet, a Python framework that efficiently unifies the processing of diverse neural recordings (including fMRI, M/EEG, and spikes) and complex experimental stimuli (such as text, audio, and video). By decoupling experimental metadata from lazy, memory-efficient data extraction, NeuralSet harmonizes standard neuroscientific preprocessing pipelines with pretrained deep learning embeddings. This approach provides a single PyTorch-ready interface that scales seamlessly from local prototyping to high-performance cluster execution. By eliminating manual data wrangling and ensuring full computational provenance, NeuralSet establishes a scalable, unified infrastructure for the next generation of neuro-AI research.

preprint2022arXiv

Hybrid Spectrogram and Waveform Source Separation

Source separation models either work on the spectrogram or waveform domain. In this work, we show how to perform end-to-end hybrid source separation, letting the model decide which domain is best suited for each source, and even combining both. The proposed hybrid version of the Demucs architecture won the Music Demixing Challenge 2021 organized by Sony. This architecture also comes with additional improvements, such as compressed residual branches, local attention or singular value regularization. Overall, a 1.4 dB improvement of the Signal-To-Distortion (SDR) was observed across all sources as measured on the MusDB HQ dataset, an improvement confirmed by human subjective evaluation, with an overall quality rated at 2.83 out of 5 (2.36 for the non hybrid Demucs), and absence of contamination at 3.04 (against 2.37 for the non hybrid Demucs and 2.44 for the second ranking model submitted at the competition).

preprint2022arXiv

Music Demixing Challenge 2021

Music source separation has been intensively studied in the last decade and tremendous progress with the advent of deep learning could be observed. Evaluation campaigns such as MIREX or SiSEC connected state-of-the-art models and corresponding papers, which can help researchers integrate the best practices into their models. In recent years, the widely used MUSDB18 dataset played an important role in measuring the performance of music source separation. While the dataset made a considerable contribution to the advancement of the field, it is also subject to several biases resulting from a focus on Western pop music and a limited number of mixing engineers being involved. To address these issues, we designed the Music Demixing (MDX) Challenge on a crowd-based machine learning competition platform where the task is to separate stereo songs into four instrument stems (Vocals, Drums, Bass, Other). The main differences compared with the past challenges are 1) the competition is designed to more easily allow machine learning practitioners from other disciplines to participate, 2) evaluation is done on a hidden test set created by music professionals dedicated exclusively to the challenge to assure the transparency of the challenge, i.e., the test set is not accessible from anyone except the challenge organizers, and 3) the dataset provides a wider range of music genres and involved a greater number of mixing engineers. In this paper, we provide the details of the datasets, baselines, evaluation metrics, evaluation results, and technical challenges for future competitions.