Paper detail

The curvature of semidirect product groups associated with two-component Hunter-Saxton systems

In this paper, we study two-component versions of the periodic Hunter-Saxton equation and its $μ$-variant. Considering both equations as a geodesic flow on the semidirect product of the circle diffeomorphism group $\Diff(§)$ with a space of scalar functions on $§$ we show that both equations are locally well-posed. The main result of the paper is that the sectional curvature associated with the 2HS is constant and positive and that 2$μ$HS allows for a large subspace of positive sectional curvature. The issues of this paper are related to some of the results for 2CH and 2DP presented in [J. Escher, M. Kohlmann, and J. Lenells, J. Geom. Phys. 61 (2011), 436-452].

preprint2011arXivOpen access

Signal facts

What is known right now

Open access1 author3 topics

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.