Paper detail

Simulating spin-3/2 particles at colliders

Support for interactions of spin-3/2 particles is implemented in the FeynRules and ALOHA packages and tested with the MadGraph 5 and CalcHEP event generators in the context of three phenomenological applications. In the first, we implement a spin-3/2 Majorana gravitino field, as in local supersymmetric models, and study gravitino and gluino pair-production. In the second, a spin-3/2 Dirac top-quark excitation, inspired from compositness models, is implemented. We then investigate both top-quark excitation and top-quark pair-production. In the third, a general effective operator for a spin-3/2 Dirac quark excitation is implemented, followed by a calculation of the angular distribution of the s-channel production mechanism.

preprint2013arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.