Paper detail

Shimura-Teichmüller Curves in Genus 5

We prove that there are no Shimura-Teichmüller curves generated by genus five translation surfaces, thereby completing the classification of Shimura-Teichmüller curves in general. This was conjectured by Möller in his original work introducing Shimura-Teichmüller curves. Moreover, the property of being a Shimura-Teichmüller curve is equivalent to having completely degenerate Kontsevich-Zorich spectrum. The main new ingredient comes from the work of Hu and the second named author, which facilitates calculations of higher order terms in the period matrix with respect to plumbing coordinates. A large computer search is implemented to exclude the remaining cases, which must be performed in a very specific way to be computationally feasible.

preprint2019arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.