Paper detail

Setting the Stage for a Non-Supersymmetric UV-Complete String Phenomenology

In this talk, I discuss our recent work concerning the construction of non-supersymmetric heterotic string models which have exponentially suppressed dilaton tadpoles and cosmological constants, and thus greatly enhanced stability properties. The existence of such models opens the door to non-supersymmetric string model-building, and I discuss how semi-realistic string models resembling the Standard Model or any of its unified variants may be constructed within this framework. These models maintain modular invariance and exhibit a misaligned supersymmetry which ensures UV finiteness, even without spacetime supersymmetry. I also discuss the potential implications for phenomenology.

preprint2016arXivOpen access

Signal facts

What is known right now

Open access3 authors2 topics

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.