Paper detail

Seifert surfaces in the four-ball and composition of binary quadratic forms

We use composition of binary quadratic forms to systematically create pairs of Seifert surfaces that are non-isotopic in the four-ball. Our main topological result employs Gauss composition to classify the pairs of binary quadratic forms that arise as the Seifert forms of pairs of disjoint Seifert surfaces of genus one. The main ingredient of the proof is number-theoretic and of independent interest. It establishes a new connection between the Bhargava cube and the geometric approach to Gauss composition via planes in the space of two-by-two matrices. In particular, we obtain a geometric recipe that given any two binary quadratic forms finds a Bhargava cube that gives rise to their composition.

preprint2026arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.