Abstract
The expression of human art, and supposedly sentient art in general, is modulated by the available rendition, receiving and communication techniques. The components or instruments of these techniques ultimately exhibit a physical, in particular, quantum layer, which in turn translates into physical and technological capacities to comprehend and utilize what is possible in our universe. In this sense, we can apply a sort of Church-Turing thesis to art, or at least to its rendition.
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