Paper detail

Parametric epicyclic resonance in black hole disks: QPOs in micro-quasars

Non-linear acoustic coupling of modes in accretion disks allows a parametric resonance between epicyclic motions. In black hole disks, such a resonance first occurs, and is strongest, when the radial and vertical epicyclic frequencies are approximately in a 2:3 ratio, in agreement with the 300 and 450 Hz frequencies reported in GRO J1655-40 and the 184 and 276 Hz frequencies reported in XTE J1550-564. The first overtone in the same resonance is in a 5:3 ratio with the fundamental, in agreement with the 69.2 and 41.5 Hz frequencies reported in GRS 1915+105. The narrow width and the frequency stability of the corresponding QPOs follow from general properties of parametric resonance.

preprint2002arXivOpen access

Signal facts

What is known right now

Open access2 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.