Paper detail

One-shot rates for entanglement manipulation under non-entangling maps

We obtain expressions for the optimal rates of one- shot entanglement manipulation under operations which generate a negligible amount of entanglement. As the optimal rates for entanglement distillation and dilution in this paradigm, we obtain the max- and min-relative entropies of entanglement, the two logarithmic robustnesses of entanglement, and smoothed versions thereof. This gives a new operational meaning to these entanglement measures. Moreover, by considering the limit of many identical copies of the shared entangled state, we partially recover the recently found reversibility of entanglement manipu- lation under the class of operations which asymptotically do not generate entanglement.

preprint2011arXivOpen access

Signal facts

What is known right now

Open access2 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.