Paper detail

On the On-Shell Renormalization of the Chargino and Neutralino Masses in the MSSM

We discuss the choice of input parameters for the renormalization of the chargino and neutralino sector in the minimal supersymmetric standard model (MSSM) in the on-shell scheme. We show that one should chose the masses of a bino-like, a wino-like and a higgsino-like state as inputs in order to avoid large corrections to the masses of the other eigenstates in this sector. We also show that schemes where the higgsino-like input state is a neutralino are more stable than those where the mass of the higgsino-like chargino is used as input. The most stable scheme uses the masses of the wino-like chargino as well as the masses of the bino- and higgsino-like neutralinos as inputs.

preprint2011arXivOpen access

Signal facts

What is known right now

Open access4 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.