Paper detail

Nordhaus-Gaddum-type problems for lines in hypergraphs

We study the number of lines in hypergraphs in a more symmetric setting, where both the hypergraph and its complement are considered. In the general case and in some special cases, the lower bounds on the number of lines are much higher than their counterparts in single hypergraph setting or admit more elegant proofs. We show that the minimum value of product of the number of lines in both hypergraphs on $n$ points is easily determined as $\binom{n}{2}$; and the minimum value of their sum is between $Ω(n)$ and $O(n \log n)$. We also study some restricted classes of hypergraphs; and determine the tight bounds on the minimum sum when the hypergraph is derived from an Euclidean space, a real projective plane, or a tree.

preprint2014arXivOpen access

Signal facts

What is known right now

Open access2 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.