Paper detail

Non-perturbative Anomalies in $d=2$ QFT

We present the first rigorous construction of the QFT Thirring model, for any value of the mass, in a functional integral approach, by proving that a set of Grassmann integrals converges, as the cutoffs are removed, to a set of Schwinger functions verifying the Osterwalder-Schrader axioms. The massless limit is investigated and it is shown that the Schwinger functions have different properties with respect to the ones of the well known exact solution: the Ward Identities have anomalies violating the anomaly non-renormalization property and additional anomalies, apparently unnoticed before, are present in the closed equation for the interacting propagator, obtained by combining a Schwinger-Dyson equation with Ward Identities.

preprint2006arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.