Paper detail

Metabelian representations, twisted Alexander polynomials, knot slicing, and mutation

Given a knot complement X and its p-fold cyclic cover X_p, we identify twisted polynomials associated to 1-dimensional linear representations of the fundamental group of X_p with twisted polynomials associated to related p-dimensional linear representations of the fundamental group of X. This provides a simpler and faster algorithm to compute these twisted polynomials, allowing us to prove that 16 (of 18 previously unknown) algebraically slice knots of 12 or fewer crossings are not slice. We also use this improved algorithm to prove that the 24 mutants of the pretzel knot P(3,7,9,11,15), corresponding to permutations of (7,9,11,15), represent distinct concordance classes.

preprint2008arXivOpen access

Signal facts

What is known right now

Open access3 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.