Paper detail

If parallel lines could meet: What exactly can a poet say about the Fano plane?

This article describes our invention of a new poetic form based on projective geometry. In doing this we also explore the 'what ifs' in mathematics and poetry which spark the creative processes of poet and mathematician. In other words, throughout our collaboration we often asked one another, is this what it's like for you? Do you think in this way, too? How does your experience of creativity compare to mine? And often, as well, what exactly do you mean when you say...? We spent a fair amount of time and energy, for example, trying to understand one another's interpretation of 'a line'. This collaboration resulted in three poems in the new projective plane form. We also consider what might be interesting avenues for future research, such as the incorporation of octonions in poetic form.

preprint2024arXivOpen access

Signal facts

What is known right now

Open access2 authors2 topics

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.