Paper detail

Depth of characters of curve complements and orbifold pencils

The present work is a user's guide to the results of a previous paper by the second and third authors, where a description of the space of characters of a quasi-projective variety was given in terms of global quotient orbifold pencils. Below we consider the case of plane curve complements and hyperplane arrangements. In particular, an infinite family of curves exhibiting characters of any torsion and depth~3 will be discussed. Also, in the context of line arrangements, it will be shown how geometric tools, such as the existence of orbifold pencils, can replace the group theoretical computations via fundamental groups when studying characters of finite order, specially order two. Finally, we revisit an Alexander-equivalent Zariski pair considered in the literature and show how the existence of such pencils distinguishes both curves.

preprint2011arXivOpen access

Signal facts

What is known right now

Open access3 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.