Paper detail

Competition graphs induced by permutations

In prior work, Cho and Kim studied competition graphs arising from doubly partial orders. In this article, we consider a related problem where competition graphs are instead induced by permutations. We first show that this approach produces the same class of competition graphs as the doubly partial order. In addition, we observe that the $123$ and $132$ patterns in a permutation induce the edges in the associated competition graph. We classify the competition graphs arising from $132$-avoiding permutations and show that those graphs must avoid an induced path graph of length 3. Finally, we consider the weighted competition graph of permutations and give some initial enumerative and structural results in that setting.

preprint2015arXivOpen access

Signal facts

What is known right now

Open access2 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.