Paper detail

Analytic Approach to the Stability of Standing Accretion Shocks: Application to Core-Collapse Supernovae

We explore an analytic model of the accretion shock in the post bounce phase of a core-collapse supernova explosion. We find growing oscillations of the shock in the l=1 and l=2 modes, in agreement with a variety of existing numerical simulations. For modest values of the ratio of the outer accretion shock to that of the inner boundary to the shocked flow, the instability appears to derive from the growth of trapped sound waves, whereas at higher values, postshock advection clearly plays a role. Thus the model described here may relate to the different mechanisms of instability recently advocated by Blondin & Mezzacappa, and by Foglizzo and collaborators.

preprint2007arXivOpen access

Signal facts

What is known right now

Open access1 author1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.