Paper detail

Alleviating the non-ultralocality of the AdS_5 x S^5 superstring

We generalize the initial steps of the Faddeev-Reshetikhin procedure to the AdS_5 x S^5 superstring theory. Specifically, we propose a modification of the Poisson bracket whose alleviated non-ultralocality enables to write down a lattice algebra for the Lax matrix. We then show that the dynamics of the Pohlmeyer reduction of the AdS_5 x S^5 superstring can be naturally reproduced with respect to this modified Poisson bracket. This work generalizes the alleviation procedure recently developed for symmetric space sigma-models. It also shows that the lattice algebra recently obtained for the AdS_5 x S^5 semi-symmetric space sine-Gordon theory coincides with the one obtained by the alleviation procedure.

preprint2012arXivOpen access

Signal facts

What is known right now

Open access3 authors1 topic

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.