Paper detail

A positive proportion of plane cubics fail the Hasse principle

When all ternary cubic forms over $\mathbb Z$ are ordered by the heights of their coefficients, we show that a positive proportion of them fail the Hasse principle, i.e., they have a zero over every completion of $\mathbb Q$ but no zero over $\mathbb Q$. We also show that a positive proportion of all ternary cubic forms over $\mathbb Z$ nontrivially satisfy the Hasse principle, i.e., they possess a zero over every completion of $\mathbb Q$ and also possess a zero over $\mathbb Q$. Analogous results are proven for other genus one models, namely, for equations of the form $z^2=f(x,y)$ where $f$ is a binary quartic form over $\mathbb Z$, and for intersections of pairs of quadrics in $\mathbb P^3$.

preprint2014arXivOpen access

Signal facts

What is known right now

Open access1 author2 topics

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this map preview

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.