Paper detail

A Note on Euclidean Order Types

Euclidean functions with values in an arbitrary well-ordered set were first considered in a 1949 work of Motzkin and studied in more detail in work of Fletcher, Samuel and Nagata in the 1970's and 1980's. Here these results are revisited, simplified, and extended. The two main themes are (i) consideration of Ord-valued functions on an Artinian poset and (ii) use of ordinal arithmetic, including the Hessenberg-Brookfield ordinal sum. In particular, to any Euclidean ring we associate an ordinal invariant, its Euclidean order type, and we initiate a study of this invariant. The main new result gives upper and lower bounds on the Euclidean order type of a finite product of Euclidean rings in terms of the Euclidean order types of the factor rings.

preprint2012arXivOpen access
0citations
0reviews
0saves
Nocode
Nodataset
0institutions

Next steps

Decide what to do with this paper

Use like or dislike for the fast social read. The more specific scholarly feedback stays available below when needed.

Log in to curate

Reading frame

Keep the important context close to the paper

Keep the important signals around this paper in one place: votes, save state, collection context, reviews and the metadata you need before deciding what to do next.

Institutions

Add specific reaction

Move through the context

Research map

Open full explorer

Move through nearby people, institutions, topics and adjacent work without leaving the paper page.

Building this graph slice

BZPEER is loading the nearby papers, people, topics and institutions for this page.

Structured reviews

0 review(s)

ContributeLeave structured feedbackUse the review template when you have a concrete strength, concern or method question.Open review form

No structured reviews yet. High-signal critique starts here.

Work discussion

0 comment(s)

DiscussAdd a high-signal commentKeep quick notes, caveats and replication pointers separate from formal reviews.Open comment form

No discussion yet. The first strong comment sets the tone.