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Evelyn Turri

Evelyn Turri appears in the imported research catalog. Authorship, coauthor and topic links are available while profile ownership is still unclaimed.

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2 published item(s)

preprint2026arXiv

Few Channels Draw The Whole Picture: Revealing Massive Activations in Diffusion Transformers

Diffusion Transformers (DiTs) and related flow-based architectures are now among the strongest text-to-image generators, yet the internal mechanisms through which prompts shape image semantics remain poorly understood. In this work, we study massive activations: a small subset of hidden-state channels whose responses are consistently much larger than the rest. We show that, despite their sparsity, these few channels effectively draw the whole picture, in three complementary senses. First, they are functionally critical: a controlled disruption probe that zeroes the massive channels causes a sharp collapse in generation quality, while disrupting an equally-sized set of low-statistic channels has marginal effect. Second, they are spatially organized: restricting image-stream tokens to massive channels and clustering them yields coherent partitions that closely align with the main subject and salient regions, exposing a structured spatial code hidden inside an apparently outlier-like subspace. Third, they are transferable: transporting massive activations from one prompt-conditioned trajectory into another, shifts the final image toward the source prompt while preserving substantial content from the target, producing localized semantic interpolation rather than unstructured pixel blending. We exploit this property in two use cases: text-conditioned and image-conditioned semantic transport, where massive activations transport enables prompt interpolation and subject-driven generation without any additional training. Together, these results recast massive activations not as activation anomalies, but as a sparse prompt-conditioned carrier subspace that organizes and controls semantic information in modern DiT models.

preprint2026arXiv

Harnessing Self-Supervised Features for Art Classification

Classifying artworks presents a significant challenge due to the complex interplay of fine-grained details and abstract features that condition the style or genre of an artwork. This paper presents a systematic investigation of the effectiveness of supervised and self-supervised backbones as feature extractors for both artwork classification and retrieval, with a particular focus on paintings. We conduct an extensive experimental evaluation using the DINO family and CLIP models, assessing multiple classification strategies and feature representations. Our results demonstrate that employing a self-supervised backbone leads to consistent improvements in artwork classification performance. Moreover, our work provides insights into the applicability of classification and retrieval modules in real-world applications, such as virtual reality (VR) applications that support museum navigation.